In Seven Weeks in
Hawaii, the relationship between M. Leola Crawford and Duke Kahanamoku is
eroticized. It’s one that typically emerges when a deliciously exotic lifestyle
like the one lived by Kahanamoku seduces the safe and proper lifestyle
represented by Crawford. Her first description of him likens his physical appearance
to that of an Indian, “tall and dark,” immediately alluding to thoughts of
danger and adventure. The thrill of breaking societal boundaries she’s
accustomed to is experienced not only by Crawford, but also the general
American reader intrigued by the mysteries of Hawaii.
Crawford’s playful remark about not getting wet while being
taught to surf develops into a flirtatious act of being carried back to shore
by the gentlemanly Kahanamoku. She admits to her fondness of him and implies
her attraction to his ways of transgression. After colliding with the outrigger
canoe, Crawford is “spread out on a surfboard” and experiences lomi-lomi, a
native therapeutic massage performed by Kahanamoku. She and the rest of her
party complain of exhaustion, but none are regretful for participating in the
physically demanding activities. The reader takes part in all the thrilling
romance and is tempted by the ways of the Hawaiian transgressor.
- Francis Miguelino
Francis -
ReplyDeleteA bit heavy on the summary, but good, solid insights into the racial dynamics at play in this piece. Push those further . . .
- Trey