I found Jack London’s portrayal of surfriding in “Riding the
South Seas of the Surf” particularly interesting because the descriptions of
the beaches, the waves, and the surfers allows for the entire experience to
come to life in the eyes of the reader. London leaves nothing out, and his
writing style makes you feel like you’re
the one actually riding the waves. From the opening lines, “…The grass grows right
down to the water at Waikiki Beach and within fifty feet of the everlasting
sea. The trees also grow down to the salty edge of things, and one sits in
their shade and looks seaward at a majestic surf thundering in on the beach to
one’s very feet,” I felt like I was there on the beach, seeing and feeling all
of what was described (Moser 138).
What was also interesting about London’s portrayal was the
description of the native Hawaiian surfers. While other travelers categorized
the natives in exotic manners, London pays close attention to the actions of
the surfers and their connection with the nature of the wave, painting a literary
picture of the reality of surfriding. I was curious about the term London used
to describe the Hawaiian surfers—“his black shoulders, his chest, his loins,
his limbs… He is a Mercury—a black Mercury” (Moser 138-9). While London uses these words to point out
the differences of the Natives from the white European, his descriptions are
almost inviting the reader to come join the native surfer, rather than
describing surfing as some foreign ritual that requires one to be Hawaiian in
order to be successful at trying it.
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